The Truth in Midair, J. Hoberman
Por um escritor misterioso
Descrição
Like many post-9/11 films, *The Walk* is, in part, experiential, partaking in the simulated “new real-ness” which with cinema, as an institution, has responded to the loss of authenticity brought about by relentless digitalization. Petit’s actual walk was approximately three times as long as the filmed sequence but the difference is that, through the magic of digital cinema, Zemeckis is able to place the audience with Petit, on “an island floating in mid-air on the edge of the void.”
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Lav Diaz and Pedro Costa: Slow Cinema on the Cutting Edge - The New York Times
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LIFF29 Guide by Martin Grund - Issuu
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Photographs in Haunted Rooms: The Found Home Experimental Film and Merilee Bennett's A Song of Air – Senses of Cinema
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Criticism - e-flux
essence of film on Tumblr
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Critics At Large : Afterlife: Abel Gance's J'Accuse & George Romero's Night of the Living Dead
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Eyes Wide Shut: What the Critics Failed to See in Kubrick's Last Film
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J. Hoberman: 'Rabin, The Last Day' Makes Oliver Stone's 'JFK' Look Stone-Cold Sober - Tablet Magazine
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One Heat Minute Productions
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Blog – Chicago Film Society
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Daily Reads: Stop Calling Tom Hanks an Everyman, 'Blackhat' as Michael Mann's Lonely Film and More – IndieWire
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GERD STERN with Raymond Foye – The Brooklyn Rail
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NCTE Award Winning Poet: J. Patrick Lewis
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A Sequel to Citizen Kane, by J. Hoberman
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